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她只有 29 岁，但作品已经被泰特美术馆收购，并在拍卖会上拍出超过100 万英镑的高价。
在10月的Frieze London 2022，高古轩 ( Gagosian ) 的Jadé Fadojutimi新作个展，开展就很快售罄。
“我们都是美丽的，这就是生命这个词所包含的”。她说。
她是90后，黑人女孩，杰德·法多朱蒂米（Jadé Fadojutimi，Born .1993)。现今国际艺术市场最炙手可热的年轻艺术家之一。
为什么是她？
身份和美的永恒交织
▲Jadé Fadojutimi, September 2022. Courtesy The Hepworth Wakefield在 Jadé Fadojutimi 的画作中，通常规模宏大，充满流动的情感和对自我认知的追求。为此，她精心构建了色彩、空间、线条和运动，用更全面的身份和美的永恒交织观念的方式，来解释日常经验。她利用二十世纪绘画中的关键视觉元素，如网格、层次和不同的标记，让人联想到一种不断变化的感觉。她的作品可以暗示植物、微生物或海洋景观，但始终倾向于抽象。这些复杂的层次由多层油彩构成的，互相叠加、重组。有时会被油画棒从局部打破一些，以获得更丰富的视觉体验。展览现场：Frieze London 2022
参展作品：
▲Jadé Fadojutimi, Untitled, 2022.©Jadé Fadojutimi. Photo by Mark Blower. Courtesy of the artist and Gagosian.
▲Jadé Fadojutimi, Untitled, 2022.©Jadé Fadojutimi. Photo by Mark Blower. Courtesy of the artist and Gagosian.展览现场：The Hepworth, Wakefield16 September 2022 – 19 March 2023
▲Vision and Reality, installation view. Photo: Nick Singleton
▲Vision and Reality, installation view. Photo: Nick Singleton
▲Vision and Reality, installation view. Photo: Nick Singleton
渗透的存在这是一个可以渗透的存在。Fadojutimi 在她的绘画中对身份的探索和表达并不是独立的，而是通过与人、地方、历史和地理的关系无限联系起来。在她的作品中，有黑暗、地下世界或灌木丛。厚涂颜料的小块区域参差不齐地洒在作品中，。她从特定的地点、文化、物体和声音中汲取灵感，尤其是日本动漫、服装和配乐（她从斯莱德学院毕业后前往日本，然后在 2016 年再次驻留，而后又多次回到日本）。写作也是她创作过程的关键——有时她用它来帮助表达她绘画的微妙之处；在其他时候，她通过采用更具诗意的方法将其与视觉平行放置。对 Fadojutimi 来说，她作为艺术家和作家的角色是她创作实践中同等重要的方面。Fadojutimi 作品：
▲JADÉ FADOJUTIMI, The Empress of the Plants, 2022. 300 x 800 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi
▲JADÉ FADOJUTIMI, A Permeable Existence, 2022. 190 x 170 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi
▲JADÉ FADOJUTIMI, Woven Futures, 2022. 170 x 180 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi
▲JADÉ FADOJUTIMI, An Empathic Revolution, 2022. 190 x 170 cm, Acrylic, oil and oil pastels on canvas. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi
▲Jadé Fadojutimi. How to Protect a Smile, 2022. Acrylic, oil and oil pastels on canvas, 300 x 500 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi.
▲Jadé Fadojutimi. 40°C, 2022. Acrylic, oil and oil pastels on canvas, 110 x 140 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi.
▲Jadé Fadojutimi. A Permeable Existence, 2022. Acrylic, oil and oil pastels on canvas, 190 x 170 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi.
▲Jadé Fadojutimi. Autumn, summer, spring and winter… don’t forget to colour in between the lines darling, 2022. Acrylic, oil and oil pastels on canvas, 190 x 170 cm. Photo: Michael Brzezinski. Courtesy: Jadé Fadojutimi.
▲Jadé Fadojutimi, Ob-sess(h)-ion, 2020. 180 x 170 cm, oil, acrylic and oil stick on canvas. Image courtesy the artist and Pippy Houldsworth Gallery, London 版权 Jadé Fadojutimi, 2020. Photo: Mark Blower
▲JADÉ FADOJUTIMI REBIRTH, 2022 oil, oil bar and acrylic on canvas 250 x 400 cm, 98 3/8 x 157 1/2 in
▲JADÉ FADOJUTIMITHE DAILY (HIP)FRACTALS(PO) OF A DREAMSCAPE, 2021 oil, oil bar and acrylic on canvas 180 x 170 cm, 70 7/8 x 66 7/8 in
▲JADÉ FADOJUTIMI HOPE, 2021 oil, oil bar and acrylic on canvas 220 x 300 cm, 86 5/8 x 118 1/8 in
▲JADÉ FADOJUTIMI A CHAOS IN THEORY, 2021 oil on canvas 190 x 300 cm, 74 3/4 x 118 1/8 in
▲JADÉ FADOJUTIMI EVEN AN AWKWARD SMILE CAN SPROUT BEYOND THE SUN, 2021 oil, oil bar and acrylic on canvas 200 x 170 cm, 78 3/4 x 66 7/8 in
多重元素，网格化充满活力，流畅而多彩的绘画，让她的作品令人过目难忘。虽然有些作品是长期创作的，有些作品则是一次性完成的，每一件作品都唤起了一种记忆或体验。Fadojutimi 还将服装元素——布料样本、以及长筒袜和蝴蝶结的形状——与模糊的轮廓相结合，以反映流离失所的创伤。回顾最近三年的大流行病，Fadojutimi 说：“有那么一刻，每个人都能以前所未有的方式感受时间。尤其是当我们考虑一个人的心理景观，以及它如何捕捉和创造每个人独特的记忆色调时。” 这种形成个人身份的独特记忆和体验的想法是艺术家在她用层次和面、环、绞线和颜色和空间线，多重元素，以网格化的方式创作，在作品中的各个小空间空间探索。这种对身份的追求和由此产生的那种原始情感也许就是为什么这些画如此流畅和充满活力。Fadojutimi 作品：
▲JADÉ FADOJUTIMI ROW, ROW, ROW YOUR BOAT, VIGOROUSLY DOWN THE STREAM, MERRILY, MERRILY, MERRILY, MERRILY, LIFE IS NOT A DREAM, 2021 oil, oil stick and acrylic on canvas 200 x 300 cm, 78 3/4 x 118 1/8 in
▲JADÉ FADOJUTIMI VIBE WITH ME, 2021 oil, oil stick and acrylic on canvas 190 x 170 cm, 74 3/4 x 66 7/8 in
▲JADÉ FADOJUTIMI PERHAPS THIS IS ALSO A CURRENT PATTERN OF LIFE, 2020 oil, acrylic and oil stick on canvas 200 x 150.7 cm, 78 3/4 x 59 3/8 in
▲JADÉ FADOJUTIMI VITAL ABUNDANCE, 2020 oil and oil stick on canvas 110 x 140 cm, 43 1/4 x 55 1/8 in
▲JADÉ FADOJUTIMI BIRTHDAY: DEATHDAY, 2020 oil and oil stick on canvas 200 x 220 cm, 78 3/4 x 86 5/8 in
▲JADÉ FADOJUTIMI ALL MY MUSCLES HAVE PILLOWS, 2020 oil, acrylic and oil stick on canvas 220 x 160 cm, 86 5/8 x 63 in
▲∧JADÉ FADOJUTIMI CAVERNOUS RESONANCE, 2020 oil and oil stick on canvas 170 x 180 cm, 66 7/8 x 70 7/8 in
▲JADÉ FADOJUTIMI JESTURE, 2020 oil and oil stick on canvas 180.2 x 200 cm, 71 x 78 3/4 in
▲JADÉ FADOJUTIMI LET’S DIVE INTO THE FROLICS OF HER HAT, 2020 oil and oil stick on canvas 150 x 220 cm, 59 1/8 x 86 5/8 in
▲JADÉ FADOJUTIMI MOSAICKED UTTERANCE, 2020 oil, acrylic and oil stick on canvas 160 x 180 cm, 63 x 70 7/8 in
▲JADÉ FADOJUTIMI MY FISSURED GLOW, 2020 oil and oil stick on canvas 170 x 180 cm, 66 7/8 x 70 7/8 in
▲JADÉ FADOJUTIMI RIBBON OF THOUGHT, 2020 oil and oil stick on canvas 110 x 110 cm, 43 1/4 x 43 1/4 in
▲JADÉ FADOJUTIMI THE LUXURY OF SINGLE CELL ORGANISMS, 2019 oil on canvas 160 x 220 cm, 63 x 86.6 in
▲JADÉ FADOJUTIMI THANK YOU MY LOVE, I WOULD NEVER HAVE DISCOVERED IT WITHOUT YOU, 2020 oil, acrylic and oil stick on canvas, two parts 220 x 320 cm, 86 5/8 x 126 in
▲JADÉ FADOJUTIMI SWOOOOOSH, 2020 oil and oil stick on canvas 110 x 110 cm, 43 1/4 x 43 1/4 in“Fadojutimi是一位我们已经关注了几年的艺术家，我们在2020年的系列中获得了她的一件作品。她是同时代最具活力和创新精神的画家之一，语言的成熟程度远远超过了她的年轻年龄。海普沃斯·韦克菲尔德博物馆的展览为参观者提供一个机会，让他们在现代英国收藏的背景下接触Fadojutimi的作品，创造出许多令人惊讶和深刻的联系。”——首席策展人Andrew Bonacina
关于艺术家
Jadé Fadojutimi (b.c .1993)拥有伦敦斯莱德美术学院的学士学位(2015)和伦敦皇家艺术学院的硕士学位(2017)。2019年，Fadojutimi的第一个机构展览在伦敦PEER UK举行，随后于2021年在迈阿密当代艺术学院举行了个人展览。Fadojutimi入选了2021年利物浦双年展，并参加了2022年威尼斯双年展“梦想之乳”。
本文经授权转载自公众号：目刻时光
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